{"id":5225,"date":"2023-11-08T10:23:27","date_gmt":"2023-11-08T10:23:27","guid":{"rendered":"https:\/\/linkwitz.store\/?p=5225"},"modified":"2025-04-05T12:54:06","modified_gmt":"2025-04-05T12:54:06","slug":"lx521","status":"publish","type":"post","link":"https:\/\/linkwitz.store\/de\/blog\/2023\/11\/08\/lx521\/","title":{"rendered":"TESTIMONIALS LX521"},"content":{"rendered":"<p class=\"moz-quote-pre\"><strong>&#8222;I was almost moved to tears&#8220;<\/strong><\/p>\n<p>Dear Frank\uff0c<\/p>\n<p class=\"moz-quote-pre\">I am thrilled to tell you that during the holiday, I set up the Lx521 system in my 90-square-meter office for an initial listening session.<\/p>\n<p class=\"moz-quote-pre\"><input type='hidden' bg_collapse_expand='69e9eedcceecd1036229631' value='69e9eedcceecd1036229631'><input type='hidden' id='bg-show-more-text-69e9eedcceecd1036229631' value='Show More'><input type='hidden' id='bg-show-less-text-69e9eedcceecd1036229631' value='Show Less'><button id='bg-showmore-action-69e9eedcceecd1036229631' class='bg-showmore-plg-button bg-orange-button  '   style=\" color:#4a4949;\">Show More<\/button><div id='bg-showmore-hidden-69e9eedcceecd1036229631' ><br \/>\nIn over 30 years of pursuing high-end audio, this is the most authentic, perfect, and realistic system I\u2019ve ever encountered\u2014one that truly replicates the immersive experience of a live stage! Words like &#8222;unparalleled,&#8220; &#8222;magnificent,&#8220; and &#8222;peerless&#8220; barely do it justice.<br \/>\nI am utterly satisfied! Thank you deeply to Mr. Linkwitz and yourself for bringing such a unique system to music lovers worldwide. You\u2019ve fulfilled my lifelong dream!<br \/>\nI would gladly recommend this system to my friends. .. I\u2019d be delighted to guide and support them in setting up this system. Thank you once again! Best Huixin , report from a LX521.4MG customer, April 2025, Asia<\/p>\n<p><\/div>\n<p>&nbsp;<\/p>\n<p>Report from audition <a href=\"https:\/\/linkwitz.store\/blog\/2023\/04\/23\/new-linkwitz-lounge-in-santiago-de-compostela-spain\/\">LINKWITZ Lounge Santiago d.C. \/Spain<\/a> autumn 2024:<br \/>\n&#8222;Last weekend I have performed a LX521 demo to a man, called J.Q., who came from Santiago city.\u00a0 &#8230;<\/p>\n<input type='hidden' bg_collapse_expand='69e9eedccf0f86012974130' value='69e9eedccf0f86012974130'><input type='hidden' id='bg-show-more-text-69e9eedccf0f86012974130' value='Show More'><input type='hidden' id='bg-show-less-text-69e9eedccf0f86012974130' value='Show Less'><button id='bg-showmore-action-69e9eedccf0f86012974130' class='bg-showmore-plg-button bg-orange-button  '   style=\" color:#4a4949;\">Show More<\/button><div id='bg-showmore-hidden-69e9eedccf0f86012974130' ><\/p>\n<div dir=\"auto\">After the demo, he told me that he had never listened to such a a realistic sound, ever. It was an interesting demonstration, and given that my system is so neatly integrated in the big room, he was astounded by the &#8222;presence&#8220; of the virtual sound sources everywhere in the room, absolutely decorrelated from the loudspeakers&#8216; location. He said that initially he also thought the loudspeakers were switched off and I was playing some kind of trick to fool him \ud83d\ude09<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Despite having the top baffles at about 1 meter from his ears, he had to conclude that perceptively no sound was coming from them, nor from the LXsub4 and Sub2 placed at 60 cm from his ears. He even thought there were real music players behind the closed big panels hidding the front part of the listening room. Guided only by his ears, he commented that there should be a very big space behind that wall-to-wall panels. Later when I opened the panels and let him to see the rest of the listening room, he felt astounded because he was convinced that he was going to see a real piano and a tenor vocalist there, in a much bigger space. So effectively the LX521 transported him from my real room to another acoustic space.<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Summing up, another success for the LX521, in a completely unbiased demonstration in which I didn&#8217;t comment a word before the music started to play, nor did I suggest any cue about what the listener should take the attention on. Only after every song was finished we both commented on the three dimensional acoustic aspects perceived. It was obvious he was enjoying a lot every track I played and also his favourite songs.<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">The last track I played was Higdon&#8217;s Percussion Concerto by Marin Alsop and London Philharmonic Orchestra at about 95 dBs sustained and peaking into 104 dBs&#8230; Can you imagine? He was absolutely impressed and jawdropped, showing a big smile on his face after the final tutti. He then suddenly said, I have to buy these, while the public&#8217;s applauses in the concert hall still were sounding away in the listening room.<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">At the end of the demo I asked him to point to any unbalance of the system, or to any aspect he could think to improve the sound, but he said it was perfect the way it is. Detailed, airy, holographic, unboomy, powerful, effortless, nuanced, articulated, spacious, dynamic, realistic, natural&#8230; A great compliment, imo.&#8220;<\/div>\n<div dir=\"auto\"><\/div>\n<p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/hometheaterhifi.com\/reviews\/speaker\/floor-standing\/the-linkwitz-lx521-4mg-open-baffle-loudspeaker-system-review\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7716\" src=\"https:\/\/linkwitz.store\/wp-content\/uploads\/2024\/01\/HomeTheaterHifi-Logo-300x70-1.jpg\" alt=\"\" width=\"300\" height=\"70\" \/><\/a><\/p>\n<p><em>&#8222;The LX 521.4MG genuinely sounds like no other loudspeaker out there and <strong><span style=\"color: #ffcc00;\">they come the closest\u00a0<\/span><\/strong><\/em><em>that I have heard in my home to<\/em><em><strong><span style=\"color: #ffcc00;\"> recreating a convincing musical event<\/span><\/strong>.&#8220;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/trackingangle.com\/equipment\/likwitz-lx521-4mg-speaker-amplifier-system\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-7609 alignnone\" src=\"https:\/\/linkwitz.store\/wp-content\/uploads\/2021\/03\/Tracking-Angle-300x84.jpg\" alt=\"\" width=\"300\" height=\"84\" \/><\/a><span style=\"font-size: 18pt;\"><strong> \u00a0\u00a0 <\/strong><\/span><\/p>\n<p><em>&#8222;&#8230;It is the perfect choice for those who are not enthusiasts but still value a superior listening experience, as well as for experienced audiophiles who are searching for <a href=\"https:\/\/trackingangle.com\/equipment\/likwitz-lx521-4mg-speaker-amplifier-system\"><span style=\"color: #ffcc00;\"><strong>The Holy Grail<\/strong><\/span><\/a>. That makes it a &#8222;unicorn product&#8220; in our industry.&#8220;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theabsolutesound.com\/articles\/the-linkwitz-lx521-4-dipole-loudspeaker-review\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7615\" src=\"https:\/\/linkwitz.store\/wp-content\/uploads\/2021\/03\/TAS-Review-300x172.png\" alt=\"\" width=\"300\" height=\"172\" \/><\/a><\/p>\n<p><em>&#8222;..With the Linkwitz 521.4, we have a speaker that can do imaging that\u2019s unlike anything else I\u2019ve ever heard, together with most of the other sound quality parameters we want and almost no drawbacks at a very reasonable price.<br \/>\nAs you can tell, I\u2019m impressed. I think you should go hear these if you\u2019re shopping in this price range, and really you should hear these if you\u2019re shopping above this price range.<br \/>\nI believe the Linkwitz 521.4 can be considered <span style=\"color: #ffcc00;\"><strong>a breakthrough in the sort of historical terms<\/strong><\/span> of breakthrough that I opened with: a speaker that does something that you really haven\u2019t heard other speakers do&#8230;&#8220;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6646\" src=\"https:\/\/linkwitz.store\/wp-content\/uploads\/2021\/03\/Copper-Logo.png\" alt=\"\" width=\"187\" height=\"24\" \/><br \/>\nRich Isaacs has reached <a href=\"https:\/\/www.psaudio.com\/copper\/article\/audio-nirvana-i-found-it\/\"><span style=\"font-size: 18pt; color: #ffcc00;\">Audio Nirvana<\/span> with LX521.4MG&#8230;.read more..<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em>&#8222;&#8230;I&#8217;ve used dipoles for years (Maggies, Martin Logan, Podium and Quad) <\/em><em>and I thought I understood what an open baffle speaker sounded like. I was wrong, very wrong. Siegfried Linkwitz` term &#8222;phantom scene&#8220; is <\/em><em>absolutely bang on. I&#8217;ve just emerged from 4 hours straight with a broad grin on my face, and am <\/em><em>about to go in for more&#8230;..&#8220;<\/em> (<strong>Craig, Oxford\/UK, LX521 owner)<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-6111 alignright\" src=\"https:\/\/linkwitz.store\/wp-content\/uploads\/2021\/03\/Jack-Vad-200x300.jpg\" alt=\"\" width=\"165\" height=\"248\" \/><\/p>\n<p style=\"text-align: left;\"><strong>Jack Vad Producer, Engineer, San Francisco Symphony, GRAMMY-WINNER \u201dBest Classical Album\u201d:<\/strong><\/p>\n<p style=\"text-align: left;\"><em>\u201cI was lucky to be able to witness the development of both the Linkwitz LXmini &amp; LX521 loudspeaker systems so my familiarity and education <\/em><em>regarding their qualities was experienced in a slightly different way than most potential users traditionally experience. <\/em><\/p>\n<p><em>I watched (and heard) Siegfried tackle each step of a brilliant development process and was able to see the designs finally cross his aspirational finish line spectacularly.<\/em><em>When the time came to actually use the systems in my personal studio, I jumped at the opportunity as I didn\u2019t have any other speakers that could reveal as accurate a sound stage, do so with tonal &amp; timbral neutrality, and seemingly bypass the room. <\/em><\/p>\n<p style=\"text-align: left;\"><em>As a result, both the LXmini and LX521 are used for the final production stage mix qualification of all San Francisco SymphonySAC<\/em><em>D download releases that I\u2019ve produced during the last three years; they are an indispensable tool.\u201d<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-6116 alignright\" src=\"https:\/\/linkwitz.store\/wp-content\/uploads\/2021\/03\/Peter_Aczel.jpg\" alt=\"\" width=\"135\" height=\"135\" \/>\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-6114 alignleft\" src=\"https:\/\/linkwitz.store\/wp-content\/uploads\/2021\/03\/TheAudioCritic.jpg\" alt=\"\" width=\"153\" height=\"135\" \/>&#8222;The speakers naturally disappear as soon as you start the music; you don\u2019t even have to close your eyes. I would go even further\u2014you have to make a slight mental effort to be aware that the speakers are actually there! It\u2019s uncanny. The precise phantom images produce:d by the LX521 create the most solidly three-dimensional soundstage of any stereo system in my listening experience.&#8220;<\/em> <strong>(TheAudioCritic.com, Peter Aczel<\/strong><strong>)<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7620\" src=\"https:\/\/linkwitz.store\/wp-content\/uploads\/2023\/11\/Copper-Logo-1.png\" alt=\"\" width=\"187\" height=\"24\" \/> \u00a0\u00a0<strong> Frank Doris (Copper Magazine)<\/strong> was visiting our LINKWITZ room at AXPONA 2022:<\/p>\n<p><em>&#8230;I know I\u2019m starting to sound like a gushing audio fanboy at this point, but I really did encounter some really enjoyable sounds at AXPONA. The <a href=\"https:\/\/www.linkwitz.com\/lx521\">Linkwitz LX521<\/a> loudspeakers feature an open-baffle design, where the midrange and tweeter drivers are mounted on an enclosure-less front baffle, in order to eliminate cabinet resonances and colorations&#8230;..<\/em><em>. <\/em><em>The LX521 woofer fires into a uniquely-shaped enclosure. The dynamics of this speaker were utterly spectacular. I\u2019ve heard the Hugh Masekela audiophile chestnut \u201cCoal Train\u201d more times than I want to recount \u2013 it\u2019s one of those songs like Stevie Ray Vaughn\u2019s \u201cTin Pan Alley\u201d that have been played so many times at shows that your ears glaze over whenever someone demos it \u2013 but it sounded astounding on this system, with a dynamic realism that was startling, even a little scary.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>A story of personal awakening<\/strong> ,\u00a0 11\/28\/2023<\/p>\n<p>Frank \u2013<\/p>\n<p>Here&#8217;s a story of personal awakening. My new Linkwitz LX521.4MG speakers offer me things I wanted and things I didn&#8217;t know I wanted. With a great piece of music preformed superbly, I can get absolute goose bumps listening even to a poor recording through a poor system; but I will still take the thrill of high-end sound any day, and\u00a0 have deeply enjoyed the wonderful Spendor S100 speakers, with Krell amplification, that I bought thirty years ago. That&#8217;s mainly because, for my taste, that system had (1) honesty and (2) detail that was great both for gentle vocal or chamber music and for dramatic, bombastic orchestral music. Also, by the way, I still love the little Rogers LS3\/5a speakers I bought over 40 years ago. But a recent discovery started me searching for more: streaming from Tidal through some Focal Stellia headphones clarified that there are higher levels of sheer beauty of sound and detail, on so many recordings, that I hadn&#8217;t known existed. So I have been striving to get closer to that with speakers in a nice open space that I can share with friends.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6435 alignleft\" src=\"https:\/\/linkwitz.store\/wp-content\/uploads\/2021\/03\/201_web-300x300.jpg\" alt=\"\" width=\"161\" height=\"161\" \/>Two particular things were never so important to me as they are to some audiophiles: deepest bass, and extreme stereo imaging (although it&#8217;s important to sense the ambiance of the space where the recording was made). Such things are sensational and lots of fun, but haven&#8217;t seemed essential. But those are particular Linkwitz virtues, and now you can&#8217;t drag me a way from these fringe benefits. Both the bottomless bass and the spectacular stereo information feed feasts to my appetite for detail, and the honesty and beauty are astounding. I especially notice how the bass is so wonderfully integrated with the midrange and higher frequencies so that timpani, or other big drums that produce beautiful ringing sounds along with the boom, sound like single sparkling objects. (Listen to the Kodo Heartbeat album.) I now have clearer windows into subtleties of the artistry in certain intimate vocal and chamber music performances, into the remarkable skills of certain jazz musicians, and into the radical drama that certain conductors have managed to express in orchestral music and opera.<\/p>\n<p>My background is in physics, and I strongly appreciate two particular technical things about the Linkwitz LX521 speakers. Firstly, it makes great sense to skip all the expensive and not-always-successful efforts engineers make to get flat\/deep bass response out of a box while trying to make it not sound like a box. Sure, if you abandon the box and then drive with conventional amplification, with the voltage representing the sound pressure you want, then you will have a serious decline of the radiated bass power. But that&#8217;s just fine: simply skip the conventional voltage-pressure analog and increase the amplification at lower frequencies to get the response you want. Secondly: A box speaker makes an expanding\/contracting pressure sphere, in the bass frequencies, that radiates in all directions, exciting lots of resonant modes in the room. By skipping the box, we may still excite some longitudinal modes but not much of the lateral or vertical ones. This all matters in my room. Also, I&#8217;m pleased with the Class D amplifiers that came with my speakers. (They don&#8217;t heat the room like my Krell did, and they sound great. Class D has come of age.) But to me none of this tech stuff is reason for buying.<br \/>\nThe reason is a much clearer window into great performances and recordings of great music. Today I finally fed to the Linkwitz speakers something I have long loved, Eric Leinsdorf&#8217;s old Walk\u00fcre recording with the dream cast of London, Vickers and Nilsson.<\/p>\n<p>I didn&#8217;t know until today that this recording could give me such perfect seats, near the stage, and reveal all the over-the-top drama with such intensity. I was riveted to my seat and couldn&#8217;t stop listening.<\/p>\n<p>Peter L.\u00a0 Manzanita, Oregon<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: Arial;\">Frank,<br \/>\n<\/span><span style=\"font-family: Arial;\">I\u2019m not sure if I shared my audio history, but you may find it interesting. \u00a0These are the speakers I\u2019ve owned:<\/span><span style=\"font-family: Arial;\">B&amp;W N805 (still have them)<\/span><\/p>\n<div>\n<ul>\n<li><span style=\"font-family: Arial;\">B&amp;W N802 (still have them)<\/span><\/li>\n<li><span style=\"font-family: Arial;\">McIntosh XRT1K<\/span><\/li>\n<li><span style=\"font-family: Arial;\">MartinLogan CLX Art with JL f113 sub<\/span><\/li>\n<li><span style=\"font-family: Arial;\">Raidho D1 with two JL f113 v2 subs<\/span><\/li>\n<li><span style=\"font-family: Arial;\">MBL 111f (still have them, they are the best commercial speakers I\u2019ve owned)<\/span><\/li>\n<li><span style=\"font-family: Arial;\">PureAudioProject Quintet 15 with ESS AMT tweeter and Voxativ AC 1.6 plus numerous DIY variations (still have them)<\/span><\/li>\n<li><span style=\"font-family: Arial;\">Cube Audio Neo F10 full range driver in various DIY configs\u00a0\u00a0(I\u2019m working on a sealed translam cabinet combined with the LX521 subs)<\/span><\/li>\n<li><span style=\"font-family: Arial;\">Linkwitz LX521 with your amp\/crossovers and midrange\u00a0<\/span><\/li>\n<\/ul>\n<div><span style=\"font-family: Arial;\">In addition, I\u2019ve been to numerous audio shows and have heard many of the worlds great speakers from Magico (mixed experiences), Wilson (never loved them), Rockport (impressive), YG (excellent), Wilson Benesch (excellent), Sonus faber (good), Gob\u00ebl (terrible), Von Schweikert (okay), Focal (okay), Avantegarde (love them), B\u00f8rresen (impressive), and many others in every style and price range.\u00a0\u00a0<\/span><\/div>\n<div>\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6260 aligncenter\" src=\"https:\/\/linkwitz.store\/wp-content\/uploads\/2021\/03\/JeffR-300x172.jpeg\" alt=\"\" width=\"607\" height=\"348\" \/><\/div>\n<div>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: Arial;\">At this point, I would say that I prefer the LX521 system to any of the speakers I\u2019<\/span><span style=\"font-family: Arial;\">ve owned (I currently have no desire to rotate the MBLs back into use and may sell them) and they rival or exceed the great speakers I\u2019ve had the good fortune to experience.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-6258 aligncenter\" src=\"https:\/\/linkwitz.store\/wp-content\/uploads\/2021\/03\/JeffR-TT-300x225.jpeg\" alt=\"\" width=\"300\" height=\"225\" \/><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div><span style=\"font-family: Arial;\">I keep asking myself how these speakers could possibly be this great at their relatively low cost. The answer is obviously the brilliance of Siegfried\u2018s design and the meticulous attention to every single detail of the speaker, crossovers, amps, placement, and room. \u00a0More exotic and costly speakers can use the best drivers, crossover parts, cables, and cabinets, and still not come close to what Siegfried accomplished through brilliant engineering, physics, and decades of development and commitment. I\u2019m just sorry I never had the opportunity to meet him and share this feedback.\u00a0<\/span><\/div>\n<div><span style=\"font-family: Arial;\">Thank you, Frank for carrying on the Linkwitz legacy and methodically improving upon it!<\/span><\/div>\n<div><\/div>\n<div><span style=\"font-family: Arial;\">Jeff R., NY,\u00a0 LX521.4 with <a href=\"https:\/\/linkwitz.store\/product\/powerbox-6pro-ncore-precision-analog-lx521\/\"> PowerBoxes 6pro NCore precision analog<\/a>, <a href=\"https:\/\/linkwitz.store\/product\/linkwitz-22mg\/\">Linkwitz22MG<\/a> driver upgrade<\/span><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><em>Hi Frank<br \/>\nI spoke with Don N. yesterday, and he and I were discussing how much your work on this revision has improved the sound on the LX521.<br \/>\nHe is pretty much blown away, remarking that it\u2019s pretty much the best sound he\u2019s ever heard.<br \/>\nAs you know, he had, up to now, actually favored his Orions. But this version simply ended that preference for good&#8230;..<br \/>\nBest , <strong>John S, Chicago<\/strong>.\u00a0 <strong>Don N, Healdsburg,CA<\/strong>\u00a0 <\/em>LX521.4 system with <a href=\"https:\/\/linkwitz.store\/product\/powerbox-6pro-ncore-precision-analog-lx521\/\"> PowerBox 6pro precision analog<\/a> and <a href=\"https:\/\/linkwitz.store\/product\/linkwitz-22mg\/\">LINKWITZ22MG<\/a> \u00a0drivers<\/p>\n<p>&nbsp;<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-6265 alignleft\" src=\"https:\/\/linkwitz.store\/wp-content\/uploads\/2021\/03\/Jan-and-Kim-from-Denmark-300x275.jpg\" alt=\"\" width=\"300\" height=\"275\" \/>&#8222;Lately, I heard the LX521.4 setup <\/em>[in Stuttgart\/Germany] <em>and it totally blew my mind&#8220;<\/em>. <strong>(Kim, Denmark<\/strong>) . Jan and Kim took a several hundred kilometers\u00a0 journey to audition LXsirius and LX521. Seems, they liked it.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>(<strong>Mikael K, Sweden<\/strong> <em>on new cascaded ASP with Linkwitz22MG drivers)<\/em> &#8222;<em>..a big difference in transparency and details, and this filter is completely silent if you listen close to the speaker elements. First impression of the new ASP filter was really good! The ASP change was a big upgrade, so I do not know exactly how much difference happened when I also switched to the new midrange L22MG. Can&#8217;t tell if ASP of midrange. But the sum is really good. Frank the magician \ud83d\ude42<\/em>&#8220;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em>&#8222;Just wanted to tell you that that a nephew recently payed me a visit. He had just bought an advanced surround system with B&amp;W speakers and a NAD amplifier. \u00a0Because of budget restrictions he had to go for the CM9, but during the selection process he listened (blindly) to the store&#8217;s best speakers and (unsurprisingly) selected B&amp;W 800 Diamond as the best-sounding. On this background he was completely shocked by the performance of the LX521<strong>.<\/strong> <\/em><\/p>\n<p><em>First of all he was impressed by the quality of the bass which was the best he ever heard, but also praised the transparent highs and the open midrange. Looking at the price, he declared that this had to be the bargain of the century. .. I am extremely satisfied with my system now,&#8230;..thank you (and Siegfried, of course) for the best speaker system I (and my nephew) have ever heard. Kind regards<\/em> &#8220; <strong>(Terje S. Norway, LX521-owner)<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"line-height-125 cke-line-height\"><em>&#8222;The spatial impression is that the phantom sources become more decoupled from the speakers compared to anything else I have heard.\u00a0Listening to a Schubert song for soprano with piano accompaniment the piano stays put in the sound stage no matter what register it is being played in while the singer is free to move around in subtle ways&#8230;..Can&#8217;t wait to hear some more. Excellent work Mr Linkwitz!&#8220;<\/em>\u00a0(<strong>Keith Taylor<\/strong>)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6102\" src=\"https:\/\/linkwitz.store\/wp-content\/uploads\/2021\/03\/stereophile-300x87.jpg\" alt=\"\" width=\"300\" height=\"87\" \/><\/p>\n<p>STEREOPHILEs\u00a0<a href=\"http:\/\/www.stereophile.com\/content\/rmaf-2014-reichert-sunday\">&#8222;<\/a>Reichert on Sunday&#8220; experienced the magic of LXmini and <a href=\"https:\/\/linkwitz.store\/product\/lx521\/\">LX521<\/a> during RMAF (Denver): <em>&#8222;The sound was so good that I am now a <\/em><em>bout to go aga<\/em><em>inst my whole belief system and state: <\/em><em>In the 4th and 5th Atrium floors that I covered, the best sound I heard was the in room with the lowest price system! The Linkwitzlab&#8217;s LXmini loudspeakers.<\/em> <em>But, the larger,..,\u00a0<\/em><em>quad-amplified\u00a0<a href=\"https:\/\/linkwitz.store\/product\/lx521\/\">LX521<\/a><\/em>, <em>shown above, provided even more satisfying results.&#8220;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"line-height-125 cke-line-height\"><em>The speakers sound absolutely wonderful. Thanks for building such sonically and esthetically beautiful creations for me. &#8230; I am a very fortunate and lucky man. <\/em><em>Sincerely (<strong>John Field, USA <\/strong><\/em><strong>LX521 &amp; ASP)<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"line-height-125 cke-line-height\"><em>&#8230;.However I can say now that the craftsmanship is of furniture quality and beautiful to behold. It exceeds by far any result that might have come from my own efforts. Please feel free to quote me on this in any of your promotional efforts&#8230;I don&#8217;t view myself as having been an easy customer to work with. My uncertainties, my slow decision making, and my many questions &#8211; all this contributes to my respect and regard for the high level of your customer orientation. I have the double satisfaction of excellent goods and a &#8222;gemutlich&#8220; productive dialog. <\/em><em>With my many &#8222;Thanks&#8220;, <\/em><strong>(Jim Clark, USA)<\/strong><em><br \/>\n<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"line-height-125 cke-line-height\"><em>Dear Mr. Linkwitz, After learning a great deal from your website (and in the process unlearning what I thought I had previously known) \u00a0I decided to build your LX521s. I went with Frank Brenner&#8217;s excellent Magic LX521 kit which was easy to build. \u00a0\u00a0 I am new to dipole but suffice to say that my sons and I have been blown away by a quality of sound, particularly bass, that we have not heard before. Everything I have read about the wide\u00a0sound\u00a0stage and imaging is true, but coming from boxes it is the clarity and detail in the full spectrum of the audible frequency range of the LX521s which is revelatory. I also have quickly learnt that some of the albums I previously thought were pretty good are actually seriously compromised. These speakers are ruthless in exposing poor recordings and excessive compression. Thank you very much and please feel free to publish my remarks and photos if you wish.\u00a0 <\/em><strong>(Hylton Q, Australia , LX521kit)<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<article id=\"comment-462\">\n<div>\n<p class=\"line-height-125 cke-line-height\"><em>I don\u2019t usually write about speakers, there are so many of them and they kind of sound very similar to each other. I have multiple sets with Vienna Acoustics Beethoven driven by PP tube amp, Omega Aperiodic driven by SE tube map and B&amp;W 803 driven by Emotiva SS amp (just for my HT set up ;), but when I visited 2013 Rocky Mountain Audio Fest and heard these speakers, I just couldn\u2019t not write about them (here is a double negative for you. <\/em><em>I didn\u2019t even know that Linkwitz Lab made speakers, but I went to their room to check their stuff out \u2013 after all Siegfried Linkwitz is one of the creators of the Linkwitz-Riley crossover network which is used it billions of speakers.<\/em><\/p>\n<p class=\"line-height-125 cke-line-height\"><em>The speakers looked very strange, but as soon as they started to play, all this was forgotten and my attention shifted to the sound they were producing. I\u2019ve heard a lot of good speakers, but I have never heard what these speakers can do! I have to set my expectations for speakers \u2013 it\u2019s simple\u2026 I close my eyes and I can recreate presence of a band in a room (visually and audibly). These speakers came very, very close (closer than any other speakers at the show) to that reality. <\/em><strong>(&#8222;tubemaze&#8220; on \u201cLinkwitz Lab LX521 \u2013 Constant Directivity Monitor\u201d)<\/strong><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p><em>&#8222;The combination of the new cascaded-topology ASP, full-XLR cabling now to the Hypex NCore amplifiers and the new low-mid drivers let the speakers play at a new, very high level. The bass, driver integration, the silence close to the drivers etc etc all very impressive&#8230;&#8220;<strong>(<\/strong><\/em> <em><strong>Eddie D, Netherlands)<\/strong><\/em><\/p>\n<\/article>\n<p style=\"text-align: center;\"><a href=\"https:\/\/linkwitz.store\/blog\/2022\/05\/15\/pacific-audio-fest-2022\/\"><span style=\"font-size: 14pt;\">Find more comments on LX521 from visitors: <\/span><strong><span style=\"font-size: 14pt;\">Pacific Audio Fest 2022 \/Seattle<\/span><\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8222;I was almost moved to tears&#8220; Dear Frank\uff0c I am thrilled to tell you that during the holiday, I set up the Lx521 system in my 90-square-meter office for an initial listening session. &nbsp; Report from audition LINKWITZ Lounge Santiago d.C. \/Spain autumn 2024: &#8222;Last weekend I have performed a LX521 demo to a man, [&hellip;]<\/p>\n","protected":false},"author":7210,"featured_media":6175,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[236,234,235],"tags":[412,409,410,377,411],"class_list":["post-5225","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-auditions","category-whats-new","category-testimonials","tag-experience","tag-linkwitz-lx521","tag-press","tag-review","tag-testimonial"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - 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